This year, the annual tradition of the large-scale Nativity scene in St Peter’s Square descended into farce when the figures were revealed as childish and hideous products of artistic modernism. The figures were produced over the course of about a decade starting in 1965 and are reminiscent of the mediocre art of that time. One of the figures visiting the crib is an astronaut; others are unrecognizable. There is an angel represented as a bizarre, tower-like object with meaningless rings round it.
There are a great many reasons why this collection of objects is unsuitable for display as the Vatican’s Nativity scene. I leave it to art historians to decide whether it has sufficient historical importance to gather dust in a provincial museum somewhere. If it were not the season of goodwill, I might suggest it be crushed and used for road-building. But the simple and overwhelming point to make about it is that while it might claim to be religious art — art inspired by religious themes or values, or representing a scene with religious significance — it cannot possibly be described as devotional art.
The failure to distinguish these two categories is to blame for a lot of en
tirely inappropriate art in our churches. Consider the images showing the Stations of the Cross. These are designed to assist the user (and, yes, devotional art is used), to enter imaginatively into the scenes of Christ’s sufferings. This assistance to the imagination is the role of all devotional depictions of scenes. To do this effectively, it needs at least to be representational, and not, for example, abstract.
Fox News had an article today which stated something like "Pope Snubs Unorthodox Nativity", as if he had nothing whatsoever to do with it.ReplyDelete
The evil people of this world get a pass on everything they do.
God will bring justice in His good time.